
by clutching an exasperated Kerri-Anne in a bear hug to reminisce about the deaths of Princess Diana, Elvis, and his own career, in that order. As they say in Australia: Enjoy.
I read somewhere that if you pay attention, you'll notice Elvis Presley appears on your radar at least once a day -- be it the man himself, or a mention of his name or a visual reference.
This blog, maintained by the author of The Girls' Guide to Elvis, tracks daily Elvis radar blips.
Have you had your daily dose of Elvis? Please share and post a comment!
Willis invokes her Elvis-inspired, early-'90s days on "Teddy Boys," a fun little song where she can't help but impart some of her romantic warmth. Willis is even more in her element on the knowing duo of "Losing You," written with Prophet and graced with subtle banjo and steel guitar, and "Too Much to Lose," an elegant portrayal of Willis' relationship with Robison, who harmonizes.

I think I put the wrong images with each post of these last two, but can't be bothered to fix it. This was supposed to illustrate the following: The 50th anniversary of the release of "Jailhouse Rock" will be observed with a screening July 27, including an appearance by renowned songwriters Jerry Leiber and Mike Stoller, who wrote most of the tunes that Elvis Presley sang in the movie.
In a book of Playboy interviews with Larger than Life personalities, Mae West mentions Elvis was less popular when he got married, and the Marlon Brando has a whole speech about Elvis: Elvis Presley -- bloated, over the hill, adolescent entertainer, suddenly drawing people into Las Vegas -- had nothing to do with excellence, just myth. It's convenient for people to believe that something is wonderful, therefore they're wonderful.
From this week's Newsweek: You wrote the most-covered song ever: "Yesterday." Do you ever get sick of it?